Embracing My Gender Fluidity with Animal Crossing

I realized that I wasn’t exactly my gender when I was in high school, around 16 or so. Then and even now, I was fine with my biological sex as female but the presentation of said biological sex and the presentation of the associating gender as woman was something I waffled on. I was mostly fine with presenting as female, using female pronouns and living my life as a female; but during those formative high school years there was a quiet storm starting to rumble, one that was not decidedly female or feminine. For the longest time, I thought I was transgender but I didn’t experience any dsyphoria. I didn’t feel wrong in my body; just not entirely a female. There was a male part of me that the longer I tried to deny, the more stark and apparent he became. 

I found out what I was about a year or so into my journey: genderfluid. Gender fluidity is under the umbrella of being non-binary, rejecting a strict binary of gender slotting people rigidly into male or female. There is a distinct difference in every part of me while presenting as female and presenting as male and both sides are different but united under one roof being my human meat shell. But I still present as female almost every day of my life. I don’t have an issue with being seen as and perceived as a woman and those close to me know about the male side of me that I don’t hide when in more intimate spaces. 

Recently I started playing Animal Crossing: New Horizons; yes, I know I’m late to the party, I’ve been playing Pokemon Sword for hours in a fugue depressive state. When I finally started the island slice-of-life game, I immediately tried to win over my villagers through gifts (as you do); mostly trying very hard to fit gifts to their personalities. But I quickly started simply regifting gifts I had received or items that I didn’t want to keep but also didn’t feel like selling back to the capitalistic tanukis. I would give male characters dresses, tank tops, skirts and female characters all sorts of sports memorabilia and it was all okay. Rocco accepted lacy tanks, Sheldon was fine with dresses, Clay was okay with getting cute pink items and is perfect in every way. 

I spent a great amount of time trying to get my house looking just right and for a while I was greatly troubled with how girly my home on my fictional island looked. Lots of floral wallpapers and pink and a galaxy floor for some reason. I worried that it wasn’t gender neutral enough or masculine enough but then I remembered something about my own gender: it’s fluid. I am both at the time, I am one or the other, a mix of the two, perfectly unbalanced and wonderful for it. 

I am a lot of things that are in contradiction: a goth, a pastel girly girl; a charming prince and a doting princess. That binary, that duality has always been part of me and I’ve always found it beautiful. I’m no less a goth because I like pink and no less a masculine because of it in the same way Rocco is no less male-coded if he’s in a frilly dress. That’s the funny thing about gender; it’s all a social construct. Pink was a masculine color until society just one day decided it wasn’t. Dresses were for men until society just one day decided it wasn’t. Clothes aren’t inherently gendered; nothing really is. Humans decided what is gendered and the arbitrariness of it has impacted the lives of trans and non-binary people for far too long. Capitalism made gendered products and thus created this artificial concept that products can be for some or for others.

Animal Crossing has been a game that lets me be unabashedly girly while not feeling like I’m sacrificing any of my masculinity and reminding me that, in fact, such a notion is a fool’s errand. Liking pink and flowers and nice clothes and rooms to coordinate with a sense of flow and purpose is not inherently gendered. Liking men’s clothing and dresses at the same time shouldn’t be so revolutionary. And the fact that Animal Crossing is so gender queer is just wonderful, even down to the character design. Looking at my little avatar running around depending on the haircut; very few gendered clues are provided as all character models are flat-chested and without difference in hip shape. It means that building what we know as male and female is entirely down to filigree; decoration that is added to a human body but with a simple swap can mean radical difference. 

For a while, I had attempted to strive for something that would look like gender neutrality: favoring lots of black and white, signing off letters and emails with a simple non-gendered “A” and thinking that despite the ample bust and wide hips that if I just tried hard enough I could pass for male and thus provide my gender fluidity. But even then all I was doing was trying to perform at gender. I was trying so hard to make people see something that truthfully, I didn’t need them to see. What matters is and forever will be, how I feel. Gender is a tricky thing; all at once very real and also very tenuous and fleeting and even though I am lucky enough not to feel much dysphoria ( I do sometimes when being labeled as female is used inherently as a means of condescension or with certain hormonal imbalances caused by the curse of being a biological woman); I have to give some thanks to a video game about capitalism, colonialism and terraforming for helping teach me a valuable lesson about my gender identity. 

Happy Pride, everyone. Be open, be kind, be empathetic and most importantly; when applicable, be yourself. And never forget that gender is entirely a social construct. 

Unfortunately, Required Reading: Episode 59 – Orlando

This week, hosts Tori and Amanda cover Virginia Woolfe’s gender-bending novel: Orlando in honor of LGBT+ Pride Month while discussing gender as a social construct and shamelessly shill for LookHuman’s bisexual pride merch.

Unfortunately, Required Reading: Episode 38- RENT

Happy It’s Still Pride! Join your hosts as we drink Stoli, mostly complain about RENT and talk about what it really mans to be an ally and the merits of getting a real job.

Unfortunately, Required Reading: Episode 37- Giovanni’s Room

Happy Pride, everyone. Let’s talk Giovanni’s Room by James Baldwin, drink a cocktail consisting of ginger ale and bourbon and Amanda tries to run from the pain by talking about Kingsman: The Secret Service.

The Memeification of Queer Language

I was never a YAS QUEEN sort of member of the LGBTQIA+ family but a recent change on my favorite show that I love to hate (RuPaul’s Drag Race) gave me pause. RuPaul, Mother of the All, recently started spelling the word “look” stylized as “lewk”. Now, Drag Race has for a while stylized words differently. There’s the Werq the World Tour and of course Ms. Stacey Lane Matthews’ famous “henny” but the changes that have come are new, startling and worth discussing considering that I am your favorite queer feminist postmodernist formalist.

Now, there is a reason that queer people around the world have their own language: safety. For those who are not aware that it recently has really only been acceptable to be queer in America (in some places) since the Stonewall Riots (which was lead by two trans women of color). Queer people in America have their own language to help find other people like you and to protect against those who do not understand or wish to harm you. Point blank.

One of the big influences in queer language for Americans is also deeply rooted in Ballroom culture. Now, I could have an entire blog on Ballroom culture (watch Paris is Burning or Pose for a good primer) but let’s start with two basics: ballroom culture was started by queer people of color. You have queer people of color to thank for shade and voguing and fan choreography that could snatch a girl bald. Second is that is was a welcoming place for all. Cis people were involved, trans folks, cis gay men, cis les women. All were welcome. And because of the ethnic roots of ballroom culture, a language began to form that was unique to queer people. You throw shade at a girl you don’t like. You punch the clock and go to work when you are on stage dancing. You snatch a girl’s wig when you don’t like her and you say something that could literally end her life. Ballroom culture informed drag culture and then club kid culture which brings us to…RuPaul. RuPaul has always said she as a drag queen was a club kid but as a queen often hearkened back to the roots of ballroom culture.

RuPaul is for many America’s first recognizable drag queen. She’s very easy to digest. She’s black but not scary, she’s very classically beautiful and she’s very charismatic. (Here is where I pause to say yes I am gendering RuPaul, a cis gay man, as she but that’s because I’m mostly discussing her as a drag queen) and her ability to use the language queer people have been using for decades at that time was mostly just a funny thing the nice pretty lady says.

The show Drag Race got popular in the 2000s. Hell, I remember watching Season 4 (the best season) on television and a lot of the themes of that season were older drag queens (Latrice, Willam, Chad) teaching the younger queens their history [herstory] (Jiggly, Phi Phi). It wasn’t a very popular show unless you were queer (because it was on LOGO and that channel was mostly for queer people). That meant that if you were watching Drag Race in let’s say 2007 you either understood the references made or you knew someone who did.

But that changed as the show began to gain very commercial success around the time of All-Stars Season 2, the language that kept queer people safe for decades became mainstream. Now, I’m not here to say that it isn’t good for queer culture to join mainstream culture because let’s be real, gay people exist and it’s a part of history that’s worth knowing. But opening things up to mainstream culture means that sacred items once held tightly together through cultural memory and history can be more accessible without the baggage of the history behind them. So a group of wine moms now can say YAS QUEEN WERK because she heard Trixie Mattel say it without understanding at all why that has meaning or value.

And with mainstream acclaim, there is a lot of people who love to monopolize and quote queer culture without giving queer people credit. For many OKURRR is a Cardi B thing rather than a noise drag queens having been making for years. This also plays into commercialization. Recently, I see a lot of merch with YAS and WERK and honestly, it’s all just exhausting. Not to mention the fact that it’s now socially acceptable for wine moms to use drag lingo but if me, a queer person of color still uses it, I get called out for following a trend.

This all culminates with RuPaul taking what was typically drag language like using work and look and now making those words more cutesy? Lewk is not a word. Werq is not a word. They’re odd spellings of words that have real double meaning to queer people. Now, these misspellings are likely for trademark purposes because Ru is a ruthless capitalist and likes to sell merch but it also makes something rooted in struggle and in bloodshed and in violence and in a lack of hemongeny.

Cultural appropriation is real and I’m seeing it happen with the memeification of queer language. And I’m not going to gatekeep to the point that I’ll say only queer people can say YAS but really, before you go on and try to “snatch a wig” just remember who gave you those words, who gave you that language and on the backs of whom you are not able to walk around in Target-sold merchandise.

Be mindful of where you spend your pride dollars. If it isn’t going to an organization, maybe stay away from it. Be mindful of brands who will swap over to rainbows for a month and then continue to deny queer people basic rights the rest of the year. Be mindful of people who love saying these words but also don’t think that gay people should be allowed to marry in churches. You can hold people accountable and still be cordial.

Happy Pride Month, everyone.

I Call Her “Mother”

_A mother is the truest friend we have, when trials heavy and sudden fall upon us; when adversity takes the place of prosperity; when friends desert us; when trouble thickens around us, still will she cling to us, an.png

My Mother is a 6’7’’ statuesque, African-American blonde woman who is an Emmy-winner television host and award-winning singer, model and actress.

Now, for those of you who know me and my family: you are probably confused on a few things when it comes to that statement. Firstly, my mom was short with dark hair and my mom is currently in her eternal rest.  

My Mother is RuPaul and today we’re going to talk about how important it is for so many queer people to have a person that they can call “Mother”.

Some background: I have been watching Drag Race since Season 4 (which was around the time the dinosaurs still roamed). And back then, I was a high school student and still fairly in the closet. Any time I tried to discuss such a nuanced topic I was told that I was either just confused or seeking attention. So my enjoyment of Drag Race was mostly for the drama, extravagant costumes and the music.

And in the years since Season 4, my opinions on the show have shifted. And those shifts have also been related to some of my feelings with the LGBT community, my own personal identity and how Mama Ru herself has softened in her age.

Now, some history on RuPaul Charles. Mama Ru did not spring forth from the cleavage of Michelle Visage in the early 2000s. RuPaul made her name as a model, performer and entertainer in the 1980s and 1990s. For a while, you probably saw her everywhere but you’d likely never attach the majestic woman to the equally handsome man. Many likely didn’t even know that Ru was biologically male for many of those early years and many just never questioned the unnaturally tall beautiful model. In the 1990s and 2000s, RuPaul could be seen as a guest on many television shows: she was even on Sabrina the Teenage Witch, for heaven’s sake.

RuPaul started her drag Hunger Games in 2009 and the show did…fine? It was fine. Not many got to see the mythical first season and things didn’t really pick up until Seasons 2 and 3. All the while, RuPaul the person was just that: she had stopped a few of her cameo appearances and while she was still making music: her biggest role was as host to the show. She didn’t have much of a public presence and didn’t weigh in on the political matters pertaining the LGBT community. She had an empire to build.

This seemed to shift around Season 4: a season that famously had a challenge that centered around the theme of “Hope Floats” in honor of the brave LGBT members we lost during the Stonewall Riots. During that episode, many of the older drag queens took their time to explain to the younger queens that drag isn’t just about going on the Internets and looking fish: it is political and was not always socially accepted. It was moving hearing Latrice Royale and Chad Michaels discuss drag herstory to younger queens who only saw the art of drag as a means to celebrity.

And from Season 4 on: Ru only got more political. Her music has always been a jab at current politics and policies and when marriage equality passed in 2015: she and the show celebrated. But the show continued to face issues that mirrored the LGBT community.  While per season, at least one queen came out as a trans woman: the show didn’t really know how to handle a trans woman who still is a drag queen or what that line even is between gender identity and playing a woman for tips. Ru famously stayed quiet on such matters for years and we didn’t get an open and proud trans woman as a queen until Peppermint in Season 9.

But the transformation hit around the time of the Pulse Massacre. In 2016: a domestic terrorist took aim at a pinnacle of the Florida LGBT community and many lives were tragically lost. There was the RuPaul that many of us have come to know: vocal, angry and an advocate for LGBT people of all ages, races and creeds. Famously, during an awards show, RuPaul came on stage to discuss the shooting and said proudly “Don’t f*ck with my family.” It’s a moment that still brings a tear to my eyes watching the proud figure we always needed take shape. She gave a platform to queens to tell their stories: most seasons now feature new queens and older ones because the younger girls seem to have all forgotten their herstory. She brings together mostly diverse types of queens, though they do often skew towards her own tastes: she favors dancers, models and the occasional comedy queen.

Drag has been inherently political for as long as there has been drag and RuPaul is very aware of that. So she has now been spending her time using her voice and platform to build up queens, queers and other members of the LGBT family while also being very careful with how and who she supports. She quickly shunned Willam Belli after he was outed as a bit of a transphobe and was quick to disregard PhiPhi O’Hara after her bullying and diva behavior: but she did accept PhiPhi back into her loving arms after the drama queen PhiPhi pulled queens together for several benefit shows.

And over time, around the start of Season 5-6, we started seeing a change in Ru herself. She started referring to herself as “Mother” more and more. Now, for drag queens, you often do have a drag mother. Your Drag Mother is the person who teaches you how to tuck, gets you gigs and makes sure no one steals your tips. This role is not one to be taken lightly, think of it like a Gay Fairy Godmother. For so many LGBT folks, family is not always just the one you were born into. Family often means the people that add value to your life and it is often times a family that you choose. Which is why it’s so important to have someone public facing, ideal and supportive. In her…older age, Mama Ru is supportive, kind, loving but still unafraid to tell it like it is. It’s inspiring to have someone like that to look up to at any age: someone willing to tell you to love yourself because they know how hard that can be.

And it is because of that, I am proud to call Ru “mother”.

 

Cultural Gentrification and You: Your Story, Your Style

“The point about pop culture is that so much of it is borrowed. There's very little that's brand new. Instead, creativity today is a kind of shopping process—picking up on and sampling things form the world around yo.png

Amber and I were having another one of our famous talks. We were discussing life and history as always but I was then quickly reminded of a recent style trend that dredged up every negative feeling I had about 2017: snowglobe nails. Now, if you are fortunate enough to not know what these are, I’ll take a moment and let you find out a little more about this “style” trend.

Now, this is extra. Really extra. Why do you need to turn your nail into a snowglobe? But it immediately reminded me of a trend when I was younger: back in the day of velociraptors and chunky blonde highlights. In my high school, black girls did extravagant nail designs all the time. But back in those days, the black women that did such elaborate nail art were considered to be ghetto or tacky. Now they’d be the stars of popular Instagram accounts and Youtube tutorials.

This is cultural appropriation and gentrification. It’s when things that were once maligned due to its attachment to minority groups without admitting to any of its history and sanitizing it for the sake of popularity.

We’re going to go over a few examples that particularly earn my ire.


Voguing

If you’ve watched RuPaul’s Drag Race, you have a base concept of what Voguing is. It’s a dance move that was popularized by Madonna in the 80s and is rooted in a the traditions of ballroom drag which was formulated and perfected by drag queens and gay men of color. Voguing is throwing shade with body movements but when Madonna popularized it at first she paid tribute to the LGBT community. She admitted that drag queens and queers of color did it better than her and featured them in her music videos and on her tours.

But as time progressed popular culture associated the act with Madonna more and more and less and less with the queer people of color that inspired and created the dance move. Voguing is an important part of the LGBT community and is a secret language to queer people all over the United States. And with Drag Race now in the popular lexicon, more and more people are aware of Voguing and are not aware of the fact that it is rooted in decades of ballroom drag. It was not something that started in the 1980s and it was not started by white pop stars. My breaking point was watching the third season of RuPaul’s Drag Race: All-Stars and one of the guest judges (Vanessa Hudgens) had the audacity to say she was very into voguing now. Like it was a recent phenomena. Like it was something she just discovered. It exhausted me and I still roll my eyes at it every time I hear that comment.


Hair Trends

Now, I’m relaxed. That is an important aspect of black culture, I was told that my natural hair was not pretty and that I was not likely to be hired or desired if I retained my natural hair. But since forever, folks have felt it necessary to try out styles that were created by black people. Dreadlocks come to mind. Dreads are often times maligned when black people wear them for a myriad of culturally insensitive reasons. Dreadlocks are a hairstyle that formed with the Rastafarian culture and religion. They happen because of the kinky nature of black hair. So when a black man or woman has dreads, it’s often times political, spiritual and important. When a white woman or white man does it…well, let’s just say it leaves a lot to be desired. Again, the locks in dreadlocks are formed because black hair is naturally a little kinky, that sort of texture just doesn’t really exist for many others but that stereotyping does not exist for a white woman at Coachella in dreads. So while Zendaya wearing dreads gets a racist comment out of an E! News hostess, a white person in dreads is just eccentric and “worldly”.

The same can be said for many of the trends in hair braiding.

I got my hair braided a few times when I was younger and mostly for those times when I would be away from my usual hair stylist. Braids were a way to protect my roots from breakage. But when I had braids I was as far as the world saw any other black girl with box braids. I didn’t feel pretty with braids and I still look at those photos with any positivity. I can still remember the hours in the stylist’s chair and the pain associated with getting your hair done.

But when a Kardashian braids her hair, heaven helps us. Now, it isn’t appropriative because some form of braiding is almost as culturally universal as Bigfoot, but it is disappointing that something is typically seen as a negative for one race while it’s fresh, cool and edgy for another.

The last hair trend I’ll cover is weave, extensions and wigs. I’m a cosplayer and I spend a lot of time in wigs and I’m a very handsome blond.  But there’s a special relationship black women have with their hair and that means that many of my sisters in melanin have hair that they were not born with. And back when I was young in ye olden days, they were dissed for it. My great-grandmother was a snake of a woman but her wig collection was enviable. And as soon as I started collecting wigs, my aunts immediately made comparisons between my love of hair that was not mine and my great-grandmother, Ida. But let a celebrity throw on a neon wig and she’s a trendsetter.  

Long weave is a staple for many ethnic communities in the United States. They became an important way to express style for many black women and for some black men.

And that does not mean that all my brothers and sisters with hair not their own do it right. And many  of the criticisms of my think piece will be on “ratchet” and “ghetto” individuals. And while yes, there are plenty of folks who are not the pinnacles of fashion or design, the double standard is real and exhausting.


Being “Extra”

Now, in hindsight, I realize I’ve been extra my whole life. From the velvet jumpers to the always perfectly done hair, I’ve been extra since between it was a word used to describe people and not food. And back in my day, I realize now, that many of the girls and ladies I went to school with back during the days of raptors were extra as hell. Weaves that were several feet long, nails that sparkled like the hot white sun, velour tracksuits and purses that cost more than my rent payments. Today, that woman is extra. Years ago, that person was ghetto. And the big difference between what made a person “extra” versus “ghetto” was often tragically, race. Being extra is seen as a thing mostly now done by white people but comically, it’s something that many queer people and people of color have been doing easily for decades.


Speaking of queer people and drag queens, let’s take a small sidebar to talk about appropriation of language.

Queer people made up our own language decades ago. Shade, vogue, work, look, trade and more all mean something very different to the average gay man or drag queen. This language was created first and most importantly out of safety. Moons ago, being a gay man was not a fashionable thing to be and these codes and secret languages kept gay men and women safe from a hostile world. This secret language kept gay people alive and safe during the AIDS epidemic, during Stonewall and during the rough and tumble conservative eras in American History that you won’t learn about in history class. And as much as I love RuPaul’s Drag Race there’s been an entire generation and section of the populous that gets to “speak Drag Queen” without any of the background knowledge about it. And what’s even more frustrating is watching a woman at Walmart say “YAS, QUEEN. SLAY!” while also refusing to let LGBT people have the save civil liberties they deserve.

You don’t get to say “Yes, queen! Work!” and also think that gay people are still going to Hell because of religious dogma.  


Cultural gentrification and appropriation are one of the most exhausting aspects of the modern pop culture landscape. It’s right up there with microaggressions as far as things that just wear me down. Gentrification and appropriation suck the life and history out a thing that matters to a minority community, sanitizes it and re-sells it at a higher rate that often locks out the original owners of that media, act or pattern for mass consumption. But through education, careful research and analysis of media trends and a decent level of empathy: we can combat cultural gentrification together.

At the Intersection of Fish and Fab

 

“And now, I'm just trying to change the world, one sequin at a time.” ― Lady Gaga.jpgThis may be a surprise to literally no one but I love drag culture. And while I have my issues with the LGBT community and even my issues with RuPaul’s Drag Race, I am proud to call Ru “Mother” and I love the roots and history behind what drag is today. I love the steps between Tandi Dupree and Sasha Velour. I love that when faced with a mainstream culture that would not yield that so many LGBTQ folks just built their own culture. And while drag culture has been influential it has only recently been mainstream. All of that mainstream limelight has now become an influence to so many other creators. So today I want to talk about cosplay, fashion and how I connect to being a better cosplayer and person through drag, music and high art.

I love fashion. Clearly. I cosplay. You don’t get into cosplay and not want all eyes on you. And that being said I also do love fashion in general. It’s no wonder that Paradise Kiss is one of the few shojo animes I can tolerate. I love watching a good garment come together. I love the styling and the efforts people have to do so an outfit comes together. I’ve been watching a lot of Marco Marco shows online. Marco Marco is a designer who specializes in men’s underwear and leggings but that also extends to conceptual dresses and avant-garde body pieces. If you’ve never seen a Marco Marco show, you should. Like seriously, it’s all on Youtube. Just watch one. I’ll wait.

Are you done? Awesome, back to the show. I love the way that Marco Marco plays with gender, body shape and uses elements so foundational to the LGBT culture like voguing and ballroom couture as parts of his show. The way music plays into every show and every look is pivotal. But you already know that since you watched at least one show now, right?

But let’s take a step back. Let’s go back to a simpler time. Let’s go back to the 70s. Voguing in the drag community is a dance style. Depending on who you ask Madonna did it first but most drag mothers will say she took it from the drag scene. And it’s exactly what you think it is. It’s serving fierce looks and fierce dancing mostly with your hands and arms but a good Vogue routine should be a full body experience. Think disco ParaPara. And being able to pull a look together that you could lip sync and serve face to was vitol and influenced drag culture for decades. Things didn’t get impractical until the Club Kid era in the 80s-90s. And that has continued even now. We’ve seen mainstream fashion take cues from drag and LGBT icons like Grace Jones and RuPaul. We’ve seen fashion shows become pop culture spectacles again as opposed to these haughty affairs for the upper crust. The way music plays into fashion is huge for me and as a kid who grew up with things like DanceDance Revolution and ParaPara where your clothing can actually impact your score. ParaPara is what got me to always end in a pose when it comes to cosplay and having to remember that your gender affects your score in ParaPara links it back to music, fashion and form. There’s nothing like cosplaying while dancing and having your friends cheer you on or egg you on so you either graciously succeed or comedically fail.

Fashion’s a tricky subject for a girl like me. At my smallest I was still plus-sized and I did my best to dress my body and dress to my tastes which is always something in between sailing in Martha’s Vineyard and prep who probably took your boyfriend in sophomore year to androgynous vaguely edgy but somehow still preppy bog creature. My style has evolved some from high school to college to young professional. But drag has always inspired me. Playing with shape and proportion. And despite how plain my exterior can be, I do have a serious passion for fashion. I love Project Runway and shows like it but more importantly my heart always comes back to RuPaul’s Drag Race.  The way big girls dress themselves and the way the majority of these biological men can use the power of clothing and makeup to transform into women that are not gonna lie prettier than me.

Needless to say, I watch a lot of Drag Race when I’m working on costumes. It’s good background noise and the beats of the music and the sounds of men as women fighting over who wore it well. And all the while RuPaul’s encouraging words keep me steadily sewing and painting within the lines when required. And when I have to sit down and think about it, I am so inspired by these fashionistas and trendsetters when I work on my costumes. I want to be a better makeup artist because I can see what Kim Chi can do. I want to style and put pieces together because I know Latrice Royale can style her body so well. I want to conquer my anxiety and perfectionism because I know Katya can and did get over hers. I look up to Violet Chacki and Raja for how well they can serve face and I think about that every time I overdraw my highlight line or don’t go far enough with my eye shadow.

We all have plenty of different inspirations and drag and fashion happen to be two of mine. I work hard to be a better cosplayer because I know Mother Ru would want me to. RuPaul is like my patron saint of fashion, a statuette of her sits on my mantle that I have to provide offerings of thread, lace, ribbon and glittered candles. Drag motivates me to try dyeing fabric and painting my nails even though I’m wearing gloves. Drag motivates me to be more aware of my accessories in and out of cosplay. And when you look good, you feel good. And when you feel good, you let that light show to the rest of the world.

 

Pride vs. Performance

 

pexels-photo-211882.jpegI didn’t know how to write this post. I didn’t know if I ever wanted to really write this post. But let’s do it. Let’s talk about LGBT Pride and how 2017 has been one of performance for the LGBT community and those allied with them.

I’ve been vocal about my support of LGBT causes and those affiliated with them. But that doesn’t mean that I don’t take umbrage with the way the current American LGBT community behaves. Bisexual erasure is still a huge problem, current SJWs tend to be belligerent when they should be empathetic, and there is still a very problematic vision of what being “gay in America” looks like. But gender and identity questions aside, the pride community despite its flaws does its best to support each other at least in pockets. In pockets, the LGBT community can be loving, supportive, revolutionary. It was on the shoulders of community that Stonewall revolutionized how queer people were treated and it was in the shoulders of community that RuPaul helped shape the world we live in now. In these pockets of community, despite the pain of the less than ideal bunch, we grew and got better.

2015 had a landmark choice in the Supreme Court that paved the way for marriage equality all across this great nation. But that didn’t remove homophobia and transphobia. Shortly after were a string a “bathroom bills” and other flat out awful practices and legal nonsense. But yet the LGBT community  persisted. Strides were made. Idols created. Role models shaped.

And then Trump somehow won the presidency.

With him and his gaggle of GOP goons he could stand to turn on its head all the progress we have made so far. With him, “traditional” views returned to the collective consciousness all the while queer people are even more transparent than ever. So now despite many of the LGBT community already being out and already bring proud now we have to be even more so. I know more than one person who while “out and proud” still don’t participate heavily in pride activities because of some of the hypocrisies within the community.  But now the enemy is at the gate. Hell, he’s inside the gate. The wall has been breeched. The Vandals are inside the walls.

Bob the Drag Queen said it the best: now we have to be even more out and even more proud. Now we no longer have the luxury of hiding in our respectively gay homes. Now we must take to the streets draped in rainbow and clad in glitter to fight the menace that has breached the our inner sanctum. But what about those that who didn’t want to leave their hidden queer residences? Do we have to stand up, too?

Apparently so.

Recently, I took to wearing my LGBT pride shirts out and about. I’m proud to be part of this community. I’m proud of the allies. I’m proud the individuals, but I personally do take issue with some of the concerns listed above. But sometimes extraordinary circumstances require extraordinary support. It feels a little bit like the post-9/11 world. Remember how aggressively patriotic we had to be as Americans? Remember how important it was to be an American? Remember how violently any detractors were treated?

So if this is our Second Stonewall, I will fight at the barricades with you. But know that I am aware of the flaws in this barricade. Know that I am concerned about the hypocrisy. Know that my protest is not in compliance. Know that my support is not blanket. I am here for those who need a voice, but that will not silence my own.

Happy Pride, everyone.