Audience vs. Author

“To defend what you’ve written is a sign that you are alive.”—William Zinsser.png

I’m a rather selfish writer. From an early age, whatever and whenever I wrote: I was writing fundamentally for me. I think it’s the big reason why I blog and panel: I write and say as I wish. If someone isn’t happy with my opinions, I adore discourse but no one is making any unhappy reader stay. I also tend to share my work with just close friends. They have plenty of things to say about my work but I rather defend my work from friends than strangers. But as someone who writes, reads and loves discourse between fans and creators: what does an artist or author owe their audience.

Well, to me the short order is nothing. Most of the time.

I read a lot of webcomics and webcomics have become the last stand for many artists and writers who want real creative freedom. Smaller audiences, you are your own editor and almost total freedom to write about whatever you want. Well, most of the time. Amazingly, despite the “freedom” that comes with abandoning traditional platforms and avoiding editors and publishing houses it puts creators and audiences in direct contact with each other. I’ve seen many a comment section grow into riots over canons, storylines and shipping. And amazingly, when you remove the buffer between creator and audience: it isn’t always pretty. I know plenty of webcomic artists that are damn near defensive of their work and refuse to accept any criticism. There are comics that will never properly end because the creator got so burned by their audience. Storylines have been changed. Plots retracted. And so so many arguments over pronouns and if a character is asexual, non-binary or whether a pairing is true or not.

And I can attest that as an author and creator: I get defensive, too. I’ve never quite argued with people nor will I often correct them but I also don’t usually bristle too much when a creator does dive into the comments to correct a misgendering or to assert that a “pairing” is in fact just a pair of friends. Hell, after a negative review on one of my panels, I bristled for days. Even though the criticism was in many ways valid and I did grow and learn from it.

What I will probably never understand is being so defensive to the point of being delusional. Sister Claire is a webcomic I love and have followed from the start but there’s a scene that…borrows heavily from the popular anime Big O. And instead of just owning “Hey, you’re right. We did heavily borrow from another series.” the creator and her partner spent many days in the comments saying that it was common Knights Templar imagery and verbiage as opposed to just accepting a spade as a spade.

But on the flipside of that, I’ve seen audiences completely steamroll over authors. There’s webcomics that will never be finished because the creators became so exhausted by the rigor of keeping a fanbase happy. Blaster Nation famously almost didn’t get a proper ending because the creators were besieged with negativity over ending the very popular comic in favor of one that actually made them money. I was sad as anyone else to see Blaster Nation end but I’d never spew venom to the creators. One of my favorite comics Saint for Rent is currently on hiatus for a year and from what I’ve been able to see everyone has been very supportive and patient in waiting for the series to return while the creator explores other creative ventures.

Now that we’ve discussed how an author should act, what does an audience owe the creator? Well, that’s a strange subject now. Things like Patreon make audiences even more powerful. If I am giving an artist money, like a patron, then I should have some influence on what happens. One of my favorite historical figures, King Ludwig II was the patron of Richard Wagner. And King Ludwig II did dictate what and when Herr Wagner should compose about. Audiences do especially in webcomics drive what creators can do. If you want full creative freedom, finance yourself. But even though audiences are paying for creative ventures now, that doesn’t mean an audience gets to be nasty. I do though even more so understand the frustration an audience has when a comic or property fails them. There are plenty of webcomics I wish would just end, they have strayed so far from their original plots. Dangerously Chloe has had an interesting run that has strayed very far from its original rom-com roots. But no one who loves a property or piece feeling like they’ve been taken for a ride. And there is a certain helplessness that comes with being a lover of a property or piece and having no control over the direction, plan or execution of a series. And that lack of control can be exhausting, scary and demoralizing for fans. That isn’t an excuse to be nasty to creators, but as someone who has watched a beloved series derail, I “get” where that feeling comes from.

I do also understand the strain and stress of performing for an audience. Why do you think I only panel a few times a year? It’s exhausting! Yet alone having to crank out pages while at times the unsympathetic herds can rant and rave about a page being later. Energy wanes and waxes, desire to post lessens and it creates a rather unfortunate feedback loop. And honestly, that pressure does keep me from wanting to publish more of my work more often. I luckily try to blog multiple times a month but I do my best not to beat myself up too much if I don’t. And I have seen many artists who openly admit to taking breaks or slowing down only to be met with extreme hatred and vitriol. There’s a reason I don’t quit my day job to be just a panelist and writer: 1) talent and 2) I never want a hobby to be anything more than a hobby. I know how quickly once you turn passion into work it can become exhausting. Anyone who knows me knows how stressed out I get before and after paneling and if I can do anything to lessen that feeling, I’m willing to do that. I can’t imagine the stress of making people happy and having to perform and if I displease an audience more than my general panelist rating is affected.

Is there a way to move forward or go on? I think so. Have meaningful discourse, at least in private. I may have issues with Never Satisfied or Sister Claire but I tend not to talk about those in public. I do have friends that read the same comics so we get to rant about those forever. If you do feel the need to talk about your concerns to the creator or in public: do so respectfully. If diplomacy fails and you do manage to raise the ire of the creator: keep things civil.

At the end of the day, you don’t have to read the comic if it irritates you that much even if that argument fundamentally makes me angry. I will never totally accept that rationale of “if you don’t like a thing, stop reading/watching it”. Even just as a reader, you invest time, energy, money and life into a work. Without audiences, creators cannot create. There has to be a balance of respecting the creator while also respecting your audience.

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2 thoughts on “Audience vs. Author

  1. I think a lot of the problems encountered by web-indie authors and creatives today stems from years of people in the same position lacking the confidence and self-esteem to adequately defend the integrity of their creative work. No one person is at fault, but it has fostered an unhealthy entitlement in some of the fans of the medium.

    New artist come in. New fans discover the medium. The demands, the entitlement, the flames in the comments are now considered part and parcel of this sort of media.

    Discussion is a great thing. Having direct contact with fans in comment threads or on Patreon is amazing and can sometimes be the only thing keeping an artist going during periods of intense self doubt.

    The interaction is not a problem in and of itself. Lack of respect is the heart of the issue.

    First and foremost, the artist needs to have respect for their work. Allowing interaction with fans, even fans that happen to be close friends, should not be permitted by the artist to compromise the the integrity of their work. Their creative vision needs to be placed head and shoulders above all the rest. Deviating from their vision to appease fans (in hopes of retaining them) will lead to burn out just as surely as an unsustainable posting schedule.

    The audience also needs to respect the work. They are consumers of this media. It is not their place to inject their vision into this work. Discussion, speculation, and critique all have their place, but making demands of the artist to accommodate the fan’s vision of their work is blatant disrespect.

    None of this is to say that fans cannot be critical of the media they’re consuming. They can be upset about developments in the plot, or secrets the artist chooses to keep. They can come the work for errors and ask a million and one questions about any part of the work that left them scratching their head, but fans should never think the artist owes them anything.

  2. I dunno, I got to book 8 of Wheel of Time and I never looked back after abandoning that saga. 😛 But I agree. Work cannot flourish under the withering scrutiny of the perpetually dissatisfied if the author capitulates to their unrealistic demands.

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